Ycal 1 6 Equals

Scope

1. Ycal 1 6 Equals Equal
2. Ycal 1 6 Equals 2 Eggs
3. 1.6 Cs
4. Ycal 1 6 Equals A Mile Used To Measure Races
5. 1.6 Download

The Yale Collection of American Literature (YCAL) was founded by Owen F. Aldis in 1911 and contains books, manuscripts and ephemera relating to American literature. There is a separate collection relating to Black literature, the James Weldon Johnson Collection of Negro Arts & Letters , and there are also several name collections. Some Canadian literature is represented in the collection. For more information consult the Guide to the Collections.

The YCAL collections are housed in the Beinecke Rare Book and Manuscript Library, and the general cataloging policies for monographs are followed.

1) multiply the numerator of fraction 1 by the denominator of the fraction 2. And get the same value when we. 2) multiply the denominator of fraction 1 by the numerator of the fraction 2. This process is called cross-multiplication. Here are some examples: 2/12 is equivalent to 1/6 because 2 x 6 = 12 x 1 = 12; 3/18 is equivalent to 1/6 because. 1.6 equals -1.6. 16 time 1 equals 16 16 times 2 equal 32 16 times 3 equal 48 16 times 4 equal 64 16 times 5 equal 80 16 times 6 equal 96 16 times 7 equal 112 16 times 8 equal 128 16 times 9 equal.

Size

The size boundaries for YCAL materials shelving at 121 Wall St. are:

Octavo:

up to 25 cm high

up to 23 cm wide

Quarto:

between 25 and 37 cm high

between 23 and 32 cm wide

Folio (Class in Year/number folio sequence with location code bein,ycal):

over 37 cm high

over 32 cm wide

Broadsides (Class in Year/number broadsides sequence with location code beinycal)

See Broadsides: Marking Call Numbers on Items & Folders

Specialized electronic recycling companies clean, grind, blend, and compound the discs into a high-quality plastic for a variety of uses, including: automotive industry parts, raw materials to make plastics (Discs are ground into a gravel-like substance, which is sold to companies that melt it down and convert it to plastic), office equipment, alarm boxes and panels, street lights,. 1.6 equals -1.6. 16 time 1 equals 16 16 times 2 equal 32 16 times 3 equal 48 16 times 4 equal 64 16 times 5 equal 80 16 times 6 equal 96 16 times 7 equal 112 16 times 8 equal 128 16 times 9 equal.

The maximum size restrictions for material shelving at LSF can be found on the Guide for Materials Going to 121 document. Use octavo call numbers for all items shelving at LSF.

Marking

The following guidelines are used when marking volumes in YCAL:

1. Mark on Yale bookplate when there is one, generally in the upper left corner.
2. Mark on back cover, lower right hand corner, when there is no Yale bookplate unless cover is too dark.
3. Mark on verso of last page, lower right hand corner, when 1 or 2 don't apply. The lower left hand corner is the alternate location when the lower right hand corner is unusable.
4. If the last page is unmarkable (e.g. too dark or shiny or filled with text or illustrations), mark the verso of the first usable page from the end.

Classification

Individual works | Collected works, translations, & works about an author | Serials | Other types of materials | Exceptions

• Past practice encompasses a variety of approaches; many books in the collection are not classified according to the instructions given here. Generally, do not reclassify unless necessary for collocation. See Appendix and the >Historical manual for details of past practice.
• Folios shelving at 121 Wall St. and broadsides use the year/number scheme with the location beinycal.
• Use 'L' for 'l' in call numbers.
• Quarto call numbers shelving at 121 Wall St. are indicated by the addition of a plus sign (+) before the book number (usually the last line) of the call number.
• When using the online Cutter Tool, convert Mc and M' to Mac for all classification schemes, so that the authors or titles continue to be arranged the same as with the print Cutter table.

Monographs

Individual works by an author

YCAL classification is alphabetical by author and, under each author, chronological by date of first edition. (See Other types of material for non-authorial classification).

The first line of the call number is from the 'Old Yale' classification scheme where 'Z' meant rare material and the letter 'a' was chosen to represent American literature. The first line also includes a chronological subdivision:

The second line is the author's Cutter number (derived from C.A. Cutter's three-figure author table), making exceptions when main entry rule changes introduced with AACR2 would result in a split author number. Expand the number to four or even five digits if necessary to distinguish authors and to place them correctly in the alphabetical sequence.

Examples:

Miller, Philip. Father's day, [1995?]

Miller, Raeburn. The comma after love, 1994.

Miller, Rick. Tearing through the fence, 1990.

The third line is the last three digits of the date of the first edition followed by the initial letter of the title. Use 'H' or 'J' instead of 'I' (which can be mistaken for the number one); use 'N' or 'P' instead of 'O' (which can be mistaken for zero). If the letter for the title is already taken, use the subsequent letter in the alphabet.

Examples:

Eliot, T.S. The waste land, 1922

If a work is to be classed with a person who is not the main entry for the bibliographic record, and the work does not fall into any of the categories below, class the work as instructed by Beinecke. Follow the date in the third line with the first letter of the item's title.

Example:

Cavalcanti, Guido, d. 1300. [Poems. English & Italian. Selections]. Thirty-three sonnets of Guido Cavalcanti / translated by Ezra Pound ... 1991. [Beinecke Library In-Process slip (BLIPS) instructs to class with Pound]

Pseudonymous works.

Class all works by an author who writes under multiple names in one location. Use the existing author cutter if the author has been classed previously in YCAL.
If the author is new to YCAL, choose a preferred name, if one exists, following instructions as given in RDA 9.2.2.6.
If there is not an established name, use the name as it appears on the item. Class all new material by this author at this location.

Example:

Twain, Mark. The adventures of Tom Sawyer, 1876.

Anonymous works

If a work is by an anonymous author create a Cutter number using the first word of the title.

Example:

Spirit of young America, 1864

Correspondence

Class here both selections and collections of an author's correspondence that are edited by either the author or another person.

Example:

Hawthorne, Nathaniel, 1804-1864. Letters of Hawthorne to William D. Ticknor, 1851-1864, 1910.

Collected works, translations of an author, and works associated with an author

Use the following table for collected works, translations, and works associated with an author. These and other categories are denoted by the initial letters listed below which are used at the beginning of the third line of the call number, followed by a three-digit date and the initial letter of the main entry except where indicated otherwise. Use the system delineated above of a final 'a' for proof copy, 'b' for second edition, &c. Beginning in 2000, for books first published after 1999, use all four digits of the date for the third line.

A - Works of spurious or doubtful attribution

No letter follows the year of publication.

Example:

Only a boy, 1920. -- Attributed to Eugene Field.

B - Complete works

Follow the year of publication with initial letter of title.

Example:

Chopin, Kate. The complete works of Kate Chopin. Edited and with an introd. by Per Seyerstad, 1970.

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C - Collections of an author's works

Use when a collection contains two or more items. Follow the year of publication with initial letter of title. Use for collections of previously published works compiled by someone other than the author. Class collections of an author's correspondence with individual works by the author.

Example:

Davis, Richard Harding. From 'Gallegher' to 'The deserter'. The best stories of Richard Harding Davis. Selected with an introd. by Roger Burlingame, 1927.

D - Extracts

Use for extracts from several works rather than compilations. Extracts from a single work class with other editions of that work. Follow the year of publication with initial letter of title.

Example:

Fitzgerald, F. Scott. F. Scott Fitzgerald on writing. Edited by Larry W. Phillips, 1985.

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E - Translations

Use in combination with the letter from the table below. [e.g. Eh = French, En = German, etc.] The letter combination is followed by date of first edition of the specific translation, and the initial letter for the translator when known, or the initial letter of the title proper if the translator is unknown. Class translations here even if they are translations of collections or extracts. Class here translations of an author's work. Class works translated by the author with the individual works of the author. Adjust translator or title cutter in case of conflict.

Example:

Pound, Ezra, 1885-1972. [Selections. German & English] Dichtung und Prosa / Ezra Pound ; translated by Eva Hesse, 1956. -- 2nd ed.

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F - Dramatizations

Example:

Wilde, Percival. Blood of the martyrs: a play in one act ... based on a short story by Stephen Vincent Benet, c1937.

G - Scores/music

Use for scores and collections of music/lyrics by one author.
Exception: class sheet music by individual author under Za5.
Class collections of music/lyrics by more than one author under Za6.

Example:

Hughes, Robert. Amo ergo sum ... based on The cantos of Ezra Pound, 1975.

Ycal 1 6 Equals Equal

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H - Adaptations, parodies, etc.

Example:

Whitelock, William Wallace. The literary guillotine, 1903. (Includes satire of Mark Twain.)

J - Illustrations

K - Concordances, dictionaries, encyclopedias, indexes, etc.

Example:

Reaver, J. Russell. An O'Neill concordance, 1969.

Return to Top | Return to Classification | Return to Collected Works, etc.

L - Periodicals

Not used for new titles; use only for issues added to existing titles.
Use Za Z for new serial titles.

Example:

Poe newsletter. v. 1-3, Apr. 1968-1970.

M - Miscellaneous material

Example:

Promotional material for 'The bridge of San Luis Rey,' the 2004 film of the Thornton Wilder novel.

N - Tributes, memorials, festivals, exhibitions

Example:

At the graveside of Walt Whitman, 1892.

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Ycal 1 6 Equals 2 Eggs

Q - Bibliography, dealer's catalogs.

Example:

Huff, Mary Nance. Robert Penn Warren, a bibliography, 1968

R - Sources, prototypes

Example:

Adams, John. John Adams speaking: Pound's sources for the Adams cantos, [1975?].

S - Criticisms, commentaries (General)

Example:

Bohner, Charles H. Robert Penn Warren, rev. ed., c1981.

Return to Top | Return to Classification | Return to Collected Works, etc.

Sz - Books containing critical contributions about the author

Obsolete as of November 1998. Reclass to 'S' when found.

T - Criticism of a specific work

Use with the initial letter of the work criticized.

Example:

Rosenbach, A.S.W. An introduction to Herman Melville's Moby Dick, 1924.

W - Biography

Biographical works about the author.
Autobiography, memoirs, and similar works by the author class as individual works by the author

Example:

Hotchner, A.E. Papa Hemingway, 1966.

Y - Works by or about relatives and friends

Example:

Stieglitz, Julius. Chemistry and recent progress in medicine, 1926. (Brother of Alfred Stieglitz).

Return to Top | Return to Classification | Return to Collected Works, etc.

Z - Homes, towns and times (background)

Example:

Wall, Bernhardt. In Mark Twain's Missouri, 1931.

Za - Poetry, drama, and fiction

Example:

Visetti, Umberto. Un sogn di una notte d'inverno, [c1925]. (Drama about Edgar Allan Poe).

Zc - Special interests and activities

Example:

James, George Wharton. Mark Twain: an appreciation of his pioneer writings on fasting and health, 1919.

Zz - Association books

Use for books with dedications to the author, and books from the author's library. The three-digit date of the work in hand is followed by the initial letter of the main entry. Add one or more letters from the main entry to resolve conflicts. No attempt is made to collocate.

Note: The author of the work takes precedence over provenance when classing unless instructed otherwise.

Note: It is legitimate to create a Cutter number for an individual who is not an author to accommodate books from that person's library.

Examples

Rimius, Henry. The history of the Moravians, 1754. (Owned by H.D.)

Bunyan, John. The pilgrims progress ... Philadelphia, 1897.
(From the library of Josephine Herbst; Za H418 Zz897B is already used.)

Gallagher, Patrick. America's aims and Asia's aspirations, 1920. (Owned by Louise Crane, not an author)

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Serials

Classification for serials is based loosely on the Cutter tables. The number is adjusted so that the title is placed within correct alphabetic sequence. The first line of the call number is Za. The second line of the call number begins with Z followed by a cutter for the main entry.

It is very important when classing YCAL serials to place the title in correct alphabetic order. Since there are many titles being added, and in many cases the number has to expand to 3 or more digits, an Excel spreadsheet, located on the 'J' drive, is kept up to date with titles and with numbers assigned.

Examples:

Blind alleys. Baltimore, 1982-

Blind horse review. Lincoln, Neb., 1992-

Blind man. New York, 1917-

In general, when a serial changes title, the classification will remain the same.

Example:

Boy's and girl's magazine. Boston, 1848-1850

Forrester's boy's and girl's magazine. Boston, 1851-1857 (Continues Boy's and girl's magazine).

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Indexes

An index for a serial that is published as part of the serial will be added to the bibliographic record for the serial and will be marked 'Index' at the end of the call number. An index to a serial that is published by an outside entity will be classed with the serial as above with an A following the number for the serial.

Example:

Bibelot. General index: volumes I-XX inclusive 1895-1914. Portland, 1915.

Miscellaneous material

Miscellaneous material, including prospectuses, promotions, letters, subscription notices, etc. is usually removed and put into vertical files in Beinecke. When miscellaneous material is kept with the serial, it will be classed with the serial as above with a C following the number for the serial. If an item is to be individually cataloged, the third line will a 4 digit date followed by letter for the main entry (of the individually cataloged item).

Example:

[Miscellaneous material by and about Colophon]

Critical works about a serial

Works of criticism about specific serials are classed as above with an X following the number for the serial and the addition of a third line giving a cutter number for the main entry of the critical work.

Example:

Greenbaum, Leonard Aaron. The Hound & horn: episodes in American literary history, 1927-1934.

A monographic collection of excerpts from one or more serials classes in Za1 as an anthology and not with the serial unless the contents are written by one author, in which case it classes with the author.

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Other Types of Materials

Za1 - Anthologies

The second line is a three-digit date. Beginning in 2000, for books first published after 1999, use all four digits of the date for the second line. The third line is a Cutter number for the first word of the title.
Note: If another edition is already established in the old scheme, use the old scheme and add a letter at the end for the appropriate edition.

Examples:

Modern American Poetry [edited] by Louis Untermeyer. -- Rev. and enl. ed., 1921. (Old form if title already exists)

Book of recent American poetry, 1998.

Za Za1 C1 - Broadsides (American literary): OBSOLETE. Class as year/number and use bein,ycal for location.

Return to top | Return to Classification | Other Types of Materials

Za2 - Miscellaneous, critical, and biographical works on more than one American authors, artists, etc.

Class here works, which do not easily class with a single author or elsewhere in YCAL. Types of material include critical, biographical, political, historical, and narrative works. This is also the classification of last resort for works that cannot class elsewhere in YCAL.
The second line is a Cutter number for the main entry. The third line is a three-digit date followed by the first letter of the title. If the title is the main entry, then the third line is just the three-digit date. For books first published after 1999, use all four digits of the date for the third line.

Example:

Perkins, David, 1928- . A history of modern poetry, 1976.

Za4 - Exhibition Catalogs (General)

The second line is a Cutter number for the main entry. The third line is a three-digit date followed by the first letter of the title. Beginning in 2000, for books first published after 1999, use all four digits of the date for the third line.

Note: Exhibition catalogs about an individual author class with the author.

Example:

Brown, Milton Wolf. The modern spirit: American painting, 1908-1935; 1977.

Za5 - Sheet music of poems by American authors

The second line is a Cutter number for the author. The third line is a four-digit date followed by the first letter of the title.

Za6 - Monographic collections of songs

Collections of music/lyrics that do not class with an individual author.
The second line is a four-digit date followed by the first letter of the title.

Example:

Za7 - Corporate entities, including private presses, publishers, theater companies etc.

Use for material the curator wants collected and/or classed together.
The second line is a Cutter for the corporate entity. The third line is a four digit date with the first letter of the title at end.

Za8 - Audio-visual materials

Do not class phonograph records in Za8; instead, follow the instructions on the Phonograph Records page.

The second line consists of one of the following initial letters followed by a four-digit date and the first letter of the title.

For serials, the second line of the call number consists of one of the following letters followed by a cutter for the main entry.

Za9 - Binding designers and binders

Use for books which the curator wants collected and/or classed together because of the binder or binding designer.
The second line is a Cutter for name of the binder or binding designer. The third line is a four digit date and the first letter of the title.

1.6 Cs

Example:

Page, Thomas Nelson. The old gentleman of the black stock, 1900. (Binding designed by Margaret Armstrong)

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Exceptions to the above classification scheme

Ellery Queen Collection

Za Q31. Because of the magnitude of this collection (i.e. many editions of the same title) a separate classification scheme has been developed. The first two lines are Za Q31; the rest of the classification follows LC practice with a cutter number for the title and a four digit date for the date of pubication. Foreign translations are classed with the title by adding the appropriate letter for the language to the title cutter then adding a four digit date

Ycal 1 6 Equals A Mile Used To Measure Races

Example:

Queen, Ellery. [Glass village. Spanish]. La aldea de cristal, 1956.

Poe Library

This is material which Edgar Allen Poe reviewed for various periodicals, not material from his library. They are arranged by periodical in the order of their appearance and are classed to shelve after the books about Poe. The third line consists of Zz followed by a letter assigned for the periodical (not a cutter) and a number signifying the order in which Poe reviewed the book. A complete list of letters and numbers of the reviews is supposedly in the curator's office.

Example:

Ingraham, J. H. (Joseph Holt), 1809-1860. Lafitte, the pirate of the Gulf, 1836 [reviewed for the Southern literary messenger].

Isacc Watts's Hymns and spiritual songs ...

Isaac Watts's Hymns and spiritual songs ..., first printed in 1707, was revised several times in the following centuries, first by Joel Barlow in 1785 and then by Timothy Dwight in 1801. These revisions have been classed separately under Barlow as Za B249 785D-- and Dwight as Za D96 801P--. Due to the complicated printing/publishing history of both revisions, including separate printings within a particular year, the following apply:

• the second letter of the third line (following the inital letter of the title) denotes the year of a particular printing/publication;
• the third letter of the third line denotes a particular printing/publication within that year.

(See the following documents for a more detailed listing of the printing/publication history of Barlow's and Dwight's revisions.)

Example (Barlow):

Doctor Watts's imitation of the Psalms of David ... Hartford : Printed for Hudson and Goodwin, and Nathaniel Patten ..., [1786]

Example (Dwight):

The Psalms of David ... [New Haven, Conn.] : Printed for Hudson & Goodwin, from Sidney's Press, 1803.

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Other Collections

• William R. Scott Collection

Special Tracings

Make appropriate special tracings including tracings for ethnic literature.

Betts Collection

For material from the Betts Collection of poetry by Yale graduates, make a local note and tracing.

Example:

Appendix

Past practice:

B - Complete works. Formerly, the initial letter of editor's last name may have been used following the year of publication; when the editor was unknown, no letter was used.

C - Collections of an author's works. Formerly, the initial letter of editor's last name was used following the year of publication; when the editor was unknown, no letter wasused. Formerly this classification was used for collections of three or more works. If there were only two works within the publication, it was classed as an edition of the first work instead of as a collection.

D - Selections. Formerly, the initial letter of editor's last name may have been used following the year of publication; when the editor was unknown, no letter was used.

G - Scores/music. Formerly, illustrations were classed here.

T - Formerly, criticism of the Cantos of Ezra Pound used only the letter T.

Other Types of Material.
Za Za1 C1 or ZZa Za1 C1 - Broadsides. Formerly used for broadsides. Now use the broadsides year/number scheme.
Za Za1 C2 - Unbound proof sheets. Now class with individual author.
ZZa Za1 C4 - Miscellaneous pictorial posters. Now use the broadsides year/number scheme.
ZZa Za1 C5 - Miscellaneous advertising posters. Now use the broadsides year/number scheme.
Za1 G1 - Sheet music. Now use Za5.
Za1 G2 - Monographic collections of songs. Now use Za6.

1.6 Download

Special tracings - Former (pre 1980) practice was that if a large collection with repeated provenances was classed as a block in one place, a general provenance card was considered sufficient. Blanket scope cards were made in these situations and filed in the Beinecke Provenance card catalog.

For more information on former policy and practice, see the 1978 and 1996 versions in the Historical Manual.